Kamla Bhasin
We, women, are like roots
and we have roots of our own too
We stand tall on these roots
And because of them, we have fought and silently marched ahead
They cut us from above
We expand and spread from below.
We will continue to connect and unite with roots close to us
and will shake the foundations and structures of their oppression.
~A poem by Kamla Bhasin on the resilience of women. (Translated from Hindi to English by Sunita Bhadauria)
Being 74 years old and at severe risk of catching Covid, unable to step out of her house during the pandemic, didn't stop Kamla Bhasin from conducting capacity-building workshops, training and empowering thousands of people through the virtual world and her own YouTube channel. She believes that as humans we have the capacity to change through the power of love, solidarity and friendships.
Kamla Bhasin was born in Pakistan in 1946. After getting her Master’s Degree, she went to Germany on a fellowship, for two years. For a year, in 1970, she worked with the German government in the development sector. Eleven months into the job, she returned to India to work with the Adivasi and Dalit communities. With Seva Mandir, a grassroots NGO based in Udaipur, she worked on-ground, struggling to get the community interested in literacy. After a humbling breakthrough, she began to engage with them on a deeper level, trying to understand their immediate needs and concerns. For four years, she worked with the community to dig up wells.
She became cognisant of how the drought relief provided by the government was reaching only select communities, and decided to focus on working with only the marginalised. From 1973 onwards, she and her then-partner took to the pen. She cultivated a prolific career in rural journalism; where she would write articles in Hindi about the impact of drought on communities, especially on women, and he would translate them into English. After four years with Seva Mandir, she joined the Freedom from Hunger campaign of the FAO/ UN where she worked for 27 years. The work was to identify innovative programs at the grassroots level in Asia and organise capacity building trainings for development activists. In 1998 along with 19 other people, she co founded Sangat-A Feminist Network, where she continues to work since 2002, after resigning from the UN. As the South Asia co-ordinator of One Billion Rising campaign, she has worked extensively on campaigns calling for peace and awareness of the violence women live with.
Kamla Bhasin chooses to believe in people. Under the umbrella of Capacity Building, she explains the importance of solidarity, networking, friendships, and love. As she rightly says, “Development cannot take place without peace.”
“The pandemic has done two things – for one, it has brought to the surface what lives deep inside of us, especially what rises during an emergency. There was an increase in domestic violence, which does not come as a surprise to me. Decisions were made without the slightest bit of compassion. A lot of pent-up frustrations of people came rising to the surface, and frustration is always acted out on the vulnerable. Those, full of compassion, did their bit and more.”
“ Secondly, the pandemic has been a magnifying glass, for all to see the cracks in our society. The ones who feed us, enable us to travel, provide us with shelter – they are the ones who were denied any and all support. When people ask me how I’m doing, I say ‘main well-off hoon, toh main well hoon’. ( I am well off, therefore I am well ). As a beneficiary of this system, we are definitely a part of the problem. For us to make a difference, we must change our lifestyles, not simply our belief systems.”
The reality of Kamla Bhasin’s life is far from rosy. She is the sole familial caregiver for her 40-year old son, who lives with disabilities. Expressing gratitude for her 4-member team, she reflects on the importance of mutual aid, especially in the time of a global pandemic.“So many grassroots-level NGOs have done such brilliant work in the pandemic! From sourcing and providing dry rations, cooked food and menstrual products to communities to the women groups in Rajasthan who have initiated their own ambulance system for people in distress. Everyone’s work has shot up considerably during this time.”
She speaks about how her work in Capacity Building has found new life in this time. “My entire body of work revolves around the interrelation of gender, ecology and the economy; and the connections of love, friendships, analysis of caste, class and gender. My work isn’t geared towards income generation, it’s about analytical understanding. Capacity Building is about empowering people with tools to understand where they are, and where they could go. Keep in mind, skill building does not equate to Capacity Building. Someone with an MBA degree can still be operating from a patriarchal mindset.”
“There is no way of life apart from unity, interdependence and interconnectedness. We must learn how to share. We must learn how to live with each other.”
“Women! Create alternate familial bonds by connecting with your friends and your communities. Wherever you are, whoever you are; engage in dialogue. Single women living alone in cities, make a commune. Start where you are. To create an equal space for movements in the post-pandemic world, the first step is to build solidarity in the face of aggression and violence. Expand the space of debate.”
“Additionally, we must highlight the various layers of labour that go on. Can we exercise compassion for the humanist lawyers, who fight endlessly defending human rights? Can we exercise compassion for the ones creating videos, doing research and constant analysis? This is labour, too.”
When speaking of her driving force, she mentions the death of her daughter. “Without a mission in life, I wouldn’t have survived. Movements are built with poetry, design, communities; not simply with sloganeering. My work keeps me moving, keeps me resilient. It’s all about building networks and alliances; and I find great joy in this.’’
Interviewed by Nida Ansari
Edited by Shayontoni Ghosh
Illustration by Anushree Agarwal and Annie Hazarika
Art Direction by Pooja Dhingra